Peter Burton's daily log, covering Peter's personal interests, e.g. jazz, travel and general grumpiness plus (occasionally) the business of Isomatic and its associate companies.
Thursday, March 18, 2010
Magna Jazz at the Manor in Old Malden
This evening we saw
Brian White's Magna jazz band at
The Manor in Old Malden (pictured).
Our favourite numbers were as follows:
1.
Corinne Corinna, first recorded by Bo Chatmon and the Mississippi Sheiks but not copyrighted until 1932 by Chatmon and his publishers, Mitchell Parish and J. Mayo Williams. The link is to Big Joe Turner singing, backed by a rock-and-roll saxophone.
2.
Love Me or Leave Me, written by Walter Donaldson with lyrics by Gus Kahn and introduced in the Broadway play 'Whoopee' in 1928, sung by Ruth Etting. This link is to the Peggy Lee version. Peter Winn was the only person present who knew who composed it.
3.
Wabash Blues, words by Dave Ringle and music by Fred Meinken and the first success for pianist, saxophonist and song composer Isham Jones. This link is to the Fletcher Henderson version. Wabash presumably refers to the river; the Wabash Cannonball is fictional.
4. Alan Dandy's beautiful solo feature
Echo of Spring, composed by Willie "The Lion" Smith in 1938. The link is to Robbie Rhodes at the El Segundo Ragtime Festival.
I was tackled at the bar by a guy who had been avidly reading this weblog. He commented that I was very self-opinionated (probably true if I could spell it). I asked for an example and he quoted car parking. I wondered if he was referring to (Thursday, November 11, 2004) when I complained about pay-and-display at hospitals. If so I stand by my view that this is evil. He agreed with that but thought that otherwise heavy traffic made car parking problems inevitable. I missed the opportunity to comment on private 'clamping' in Windsor, more evil.
Labels: Jazz
Wednesday, March 17, 2010
Jazz at the G & D
This evening we went to the
George & Dragon in Thames Ditton to see the John Barnes quartet, comprising John Barnes (baritone sax, alto sax, clarinet), Alan Dandy (keyboard), Mick Durell (bass guitar) and Don Cook (drums). The only guest was John Lang (trombone). Our favourite numbers were:
1)
Secret Love, composed in 1953 by Sammy Fain with lyrics by Paul Francis Webster for the musical 'Calamity Jane', where it was sung by Doris Day. The link is to the later Kathy Kirby hit.
2) Alan Dandy's first solo feature
Autumn Leaves, composed by Joseph Kosma with English words by Johnny Mercer and played on this link by guitarist Manuel Granada. Alan wove in some Chopin and a snatch of 'Suicide is Painless', the M.A.S.H theme
3) John's vocal
You're a Sweetheart, from the 1937 musical of that name, where it was sung by Alica Faye as on this link. The composer was Jimmy McHugh.
4) Alan Dandy's second solo feature,
Stratford Hunch AKA Chicago Breakdown, composed by Jelly Roll Morton. The link is to a Louis Armstrong. recording.
Two well-endowed young blonde women sat alongside us at the beginning of the evening. One complimented Selina on her legs and figure, shown off by a white teenage-style mini-skirt. She then asked Selina's age, a request that was refused. After some thought she estimated 48; the greatest compliment of all time !
Labels: Jazz
Saturday, March 13, 2010
Joscho Stephan Trio at the Forest Arts Centre
This evening we visited the
Forest Arts Centre in Old Milton, Hampshire, for 'Gypsy Swing' by the
Joscho Stephan Trio. This fine trio comprises Joscho (lead guitar), his father Günter (rhythm guitar) and Max Schaaf (double bass). Joscho is a wonderful guitarist, playing mostly in the Django Reinhardt style but with some Chet Atkins finger style thrown in when it suits. Every number was great so we will just provide a few examples, with links to performances on YouTube.
1)
Django's Tiger, composed by Django Reinhardt.
2)
Mr Sandman, written by Pat Ballard in 1954 and first recorded in that year by The Chordettes.
3)
Rondo Alla Turka, from the third movement of Wolfgang Amadeus Mozart's Piano Sonata No. 11 in A major, K 331.
4)
Bossa Dorado, composed by Dorado Schmitt.
Anyone who likes jazz guitar should get along to see these guys; they are just brilliant !
Labels: Jazz
Thursday, March 11, 2010
Magna Jazz Band with Ken Reece, Mike Pointon & John Lee
This evening we went to see
The Magna jazz band at
The Manor in Old Malden.
Ken Reece was on cornet again with Mike Pointon on trombone and John Lee playing clarinet and tenor saxophone. They made a great front line.
Our favourite numbers were as follows:
1.
I'm Confessing, composed in 1930 by Doc Daugherty and Ellis Reynolds, with lyrics by Al Neiburg. The link is to Louis Armstrong playing and singing.
2.
Buddy Bolden's Blues, written by Jelly Roll Morton, singing and playing on this link.
3. Alan's solo feature
Lotus Blossom, written by Bily Strayhorn. This link just has to be to the Duke Ellington version. Alan also played the alternative version, Charlotte Rousse.
4. John Lee's beautiful feature
A Nightingale Sang In Berkeley Square, with lyrics by Eric Maschwitz and music by Manning Sherwin and Jack Strachey. The link is to a Stephane Grappelli recording as this number seems perfect for the violin.
We told Mike Pointon and Frances how on Tuesday Selina was asked if she was the band's groupie. Mike and I agreed that it was a compliment, implying that Selina is sexy (true).
Labels: Jazz
Tuesday, March 09, 2010
John Barnes Quartet at the George & Dragon
This evening we went to the
George & Dragon in Thames Ditton to see the John Barnes quartet, comprising John Barnes (baritone sax, tenor sax, clarinet), Alan Dandy (keyboard, pictured), Mick Durell (bass guitar, pictured in background) and Don Cook (drums). The only guest was John Lang (trombone). Our favourite numbers were:
1)
Bewitched, Bothered and Bewildered, composed by Richard Rodgers, with lyrics by Lorenz Hart, for their musical 'Pal Joey'. The link is to Doris Day from the film 'Teacher's Pet'.
Alan Dandy's double solo feature:
2)
Blame it on my Youth, composed by Oscar Levant and sung on this link by Nat King Cole
3)
Blues in The Night, composed by Harold Arlen and performed on this link by Peggy Lee.
4) Alan Dandy's duet with Mick,
Recado, composed by Djalma Ferreira. The link is to the Hank Mobley recording.
A very bold young woman came into the bar and asked if any of the band could suggest a young female jazz singer for a gig. She then sat next to Selina and asked her if she was the groupie. Selina gave her plenty of stick !
Labels: Jazz
Friday, March 05, 2010
Mike Piggott Trio at the Verwood Hub
This evening we saw the
Mike Piggott trio with
Nils Solberg and
Peter Morgan, at
The Hub in Verwood, Dorset. Once again this group provided fine swinging jazz with every number enjoyable and played differently from the average performance. Our favourites were:
1.
Nuages, composed by Django Reinhardt, who plays it on this link.
2.
Exactly Like You, composed in 1930 by Jimmy McHugh with lyrics by Dorothy Fields and performed on this link by Stephane Grapelli and Django Reinhardt. Mike played it in the style of Joe Venuti with a section using all four strings on the violin simultaneously.
3. Peter's feature with Nils
A Tisket A Tasket, composed in 1938 by Al Feldman and Ella Fitzgerald and performed on this link by the Oscar Peterson quartet. Peter played it in the style of Slam Stewart with bowing and humming.
4. Mike's Strohviolin feature
A Kiss To Build A Dream On, composed by Bert Kalmar, Harry Ruby and Oscar Hammerstein II in 1935 and performed on this link by Louis Armstrong.
The musicians recognised us as soon as we entered the room and gave us a warm welcome. The 'Hub' was a new experience for them and us; we liked the table arrangement and the food & drink. The audience seemed rather abstemious with no rush for the bar during the interval. Not what we are used to !
Labels: Jazz
Thursday, March 04, 2010
Magna Jazz Band with Ken Reece
This evening we returned to
Brian White's Magna jazz band's new venue,
The Manor in Old Malden (pictured). This will be a weekly gig from now on. We started with a burger for me and sausages for Selina, washed down with a bottle of Merlot. Good value by the standards of the area.
Ken Reece was on cornet again and Alan Dandy (keyboard) was back from his holiday.
Our favourite numbers were as follows:
1.
Memories of You, composed in 1930 by Eubie Blake with lyrics by Andy Razaf. The link is to Louis Armstrong playing and singing, accompanied by vibes.
2.
Goose Pimples, written by Henderson and Trent. This link is to the Bix Beiderbecke version; who else ?
3.
Sorry, written by banjo player Howdy Quicksell. This link just has to be to the Bix Beiderbecke version again.
4.
Whispering, words and music by the brothers Malvin and John Schonberger, and originally recorded on August 23, 1920 by Paul Whiteman and his Orchestra. The link is to the Chet Atkins 'Workshop' recording that I bought for my father in the early sixties and inherited in 1988.
5.
St Louis Blues, which I believe really WAS written by W C Handy, as distinct from plagiarised. The link is to the great Bessie Smith, taking it at the right pace, i.e. slowly. I have a poor recording on cassette tape of this number performed as a duet between Chris Barber (trombone) and Roger Hill (guitar). Roger's solo section is the finest piece of blues guitar playing I have ever heard. I would love to have a good digital version.
Brian White wants Selina to stop nagging him. He has to be nagged or he takes no notice !
Labels: Jazz
Tuesday, March 02, 2010
John Barnes Quartet with Alan Berry
This evening we went to the
George & Dragon in Thames Ditton to see the John Barnes quartet, comprising John Barnes (baritone sax, tenor sax, clarinet), Alan Berry (keyboard), Mick Durell (bass guitar) and Don Cook (drums). The guests were John Lang (trombone) and 'Alan' (vocal, pictured with Don). Our favourite numbers were:
1)
Dream a Little Dream of Me, composed in 1931 by Fabian Andre and Wilbur Schwandt with lyrics by Gus Kahn. The link is to the famous vocal by 'Mama' Cass Elliot.
2) Alan Berry's solo feature
The Night We called It a Day, written in 1941 by Matt Dennis with lyrics by Tom Adair. The link is to the modern version by Diana Krall.
3) John Lang's second guest number
Mood Indigo composed in 1930 by Barney Bigard, who plays it on this link.
4) 'Alan's' one vocal feature
There'll Never Be Another You composed in 1942 by Harry Warren with lyrics by Mack Gordon for the Twentieth Century Fox musical Iceland starring Sonja Henie. The link is to a country & western version by Connie Smith.
When John Barnes played and sang "The Gypsy", he mentioned that Dorothy Squires was said to be "a bit of a handful". This was misinterpreted by some of the audience.
Labels: Jazz
Sunday, February 28, 2010
John Maddocks' Jazzmen at the St Leonards Hotel
This evening we went to the
St Leonards Hotel, Dorset, to see John Maddocks Jazzmen for only the third time. This traditional jazz band comprises John Maddocks (clarinet, alto sax, tenor sax, vocals), Peter Wilkinson (trumpet, vocals), Tony Farr (trombone), Chris Satterley (keyboard, vocals, pictured), Peter McCurry (string bass, tuba), Dave Broomfield, (banjo, guitar) and Brian Barker (drums). Our favourite numbers were:
1)
Elephant Stomp, played by the Humphrey Lyttelton band on this link.
2)
Just a Closer Walk With Thee, a traditional gospel song played on this link by the Chris Barber Band.
3) Chris Satterley's second vocal of the evening
Some Of These Days, composed by Shelton Brooks in 1910 for the 'Last of the Red-Hot Mamas, it became a signature song for Sophie Tucker, featured on this link.
During the 4 weeks since our last visit to the St Leonards, someone had introduced John Maddocks to this weblog and he mentioned it this evening. Compliments will now be exchanged; we like his band and he likes our weblog. We were asked to provide requests in writing for the April gig. As a challenge for John, I requested Shreveport Stomp.
Labels: Jazz
Tuesday, February 23, 2010
John Barnes Quartet with Nigel Fox
This evening we went to the
George & Dragon in Thames Ditton to see the John Barnes quartet, comprising John Barnes (baritone sax, alto sax, clarinet), Nigel Fox (keyboard, pictured), Mick Durell (bass guitar) and Don Cook (drums, vocal). Guests were Pete Skivington (bass guitar, pictured) and Jim Trimmer (vocals, pictured). Our favourite numbers were:
1)
The Way You Look Tonight, composed by Jerome Kern, with lyrics by Dorothy Fields, for the musical film 'Swing Time and introduced in the original production by Fred Astaire. The link is to a vocal by Billie Holiday.
2) Nigel's feature, with Mick,
It Could Happen To You, written in 1944 by Jimmy Van Heusen with lyrics by Johnny Burke. The link is to the recent version by Diana Krall, possibly the only current artist we ever feature on this weblog. Worth a little picture, I think (last in set).
3) Jim Trimmer's first guest vocal,
Hey There, You With The Stars In Your Eyes from 'The Pajama Game' score by Richard Adler and Jerry Ross. It is sung on this link by that great singer Rosemary Clooney. We have only just discovered that George Clooney is her nephew.
Labels: Jazz
Thursday, February 18, 2010
Magna Jazz Band with Ken Reece and Jim McIntosh
This evening we returned to
Brian White's Magna jazz band's new venue,
The Manor in Old Malden. Ken Reece was on cornet and Jim Mcintosh was on banjo (pictured together).
Our favourite numbers were as follows:
1.
The World Is Waiting For The Sunrise, by the concert pianist Ernest Seitz, who had conceived the refrain when he was 12. Embarrassed about writing popular music, Seitz used the pseudonym "Raymond Roberts" when the song was first published by Chappell in 1919. The link is to a famous banjo feature by the Firehouse five plus two.
2.
Clarinet Marmalade, composed in 1918 by Edwin B. Edwards, Nick LaRocca, Tony Spargo & Larry Shields of the Original Dixieland Jazz Band. This link is to that very band.
3.
Tin Roof Blues, the link being to the New Orleans Rhythm Kings, who claimed to have composed it. It was actually stolen from an early blues riff by legendary New Orleans cornetist Buddy Petit called 'Rusty Nail Blues'.
Labels: Jazz
Tuesday, February 16, 2010
Benoit de la Rue with the John Barnes Quartet
This evening Selina and I celebrated our 44th wedding anniversary, going out with Benoit de la Rue, our new French member of staff at Boost Energy Systems Ltd. He drove us to
The Ewe at Weston Green for home-cooked food. They serve real chips, made by peeling real potatoes !
We continued to the
George & Dragon in Thames Ditton so that Benoit (pictured) could play his alto Sax with the John Barnes quartet, comprising John Barnes (baritone sax, tenor sax, clarinet), Alan Berry (keyboard), Mick Durell (double bass) and Don Cook (drums). The other guest was John Lang (trombone).
Benoit led the group for
Petite Fleur, composed by Sidney Bechet, who is performing it on this link. Benoit then joined the band in an improvised blues, which seemed to suit him very well. He must have nerves of steel; I know how hard it is to perform in public.
Other notable numbers were:
1)
Here Comes That Rainy Day, in latin style, as on the link.
2)
It's a Sin to Tell a Lie, a 1936 popular song by Billy Mayhew. The link is to the famous Fats Waller version.
3) As it is Mardi Gras today,
St Thomas, composed by Sonny Rollins, who plays it on this link.
Labels: Eating out, Jazz
Tuesday, February 09, 2010
Pete Cook Quartet at the G & D
This evening we went to the
George & Dragon in Thames Ditton to see Pete Cook (alto sax, baritone sax, pictured), Alan Dandy (keyboard), Mick Durell (Fender bass guitar) and Don Cook (drums). Guests were 'Alan' (vocals, pictured) and John Lang (trombone).
The numbers we enjoyed most were:
1)
Careless Love, a traditional song of obscure origins despite the copyright by W C Handy. This link is to the great Bessie Smith.
2) Alan Dandy's beautiful solo
Willow Weep For Me, officially composed by Ann Ronell in 1932 but possibly composed by her then-friend George Gershwin. It is played on this link by Claude Hopkins, pianist and bandleader, (1903 - 1984). Often overlooked by historians, Claude Hopkins was a major contributor to the development of early jazz and swing music.
3)
You'd Be So Nice To Come Home To, composed by Cole Porter and sung on this link by Julie London.
4) Alan Dandy and Mick Durell playing
Gentle Rain, composed by Luis Bonfa and sung on this link by Astrud Gilberto.
Labels: Jazz
Thursday, February 04, 2010
Magna Jazz Band with Chez Chesterman
This evening we went to
The Manor in Old Malden to see
Brian White's Magna jazz band. Chez Chesterman (pictured) was on Cornet, the remainder of the band being standard. Chez was, once again, accompanied by the lovely Carol, who led the four of us into much 'adult conversation'.
Our favourite numbers (ignoring Chez' vocals for a change) were as follows:
1.
Wrap Your Troubles in Dreams, composed in 1931 by Harry Barris with lyrics by Ted Koehler and Billy Moll. Selina and I danced to this one. The link is to a recording by Les Paul and Mary Ford; what a wonderful voice she had.
2. Alan Dandy's solo feature
Chicago Breakdown AKA Stratford Hunch, composed by Jelly Roll Morton, who is featured on this link.
3. Trombone feature
Ory's Creole Trombone, composed by Kid Ory, playing it on this link.
4.
Riverside Blues, which Mike Walmsley in Toronto informs me was composed by Thomas A Dorsey, not the trombonist but an earlier ragtime composer. The link is to the Dutch Swing College recording from the 1950's, one of the many that Selina provided as her dowry.
We asked Brian to play Shreveport Stomp but he declined. In answer to the question "who can play it who still lives", Brian and Chez agreed that James Evans can not only play it but can make it swing. Carol asked for a definition of 'swing' to which we had no answer. Wikipedia says:
The verb 'to swing' is used as a term of praise for playing that has a strong rhythmic 'groove' or drive. I am not sure that helps.
Labels: Jazz
Tuesday, February 02, 2010
John Barnes Quartet at the George & Dragon
This evening we went to the
George & Dragon in Thames Ditton to see the John Barnes quartet, comprising John Barnes (baritone sax, tenor sax, clarinet), Alan Dandy (keyboard), Mick Durell (bass guitar) and Don Cook (drums). The only guest was John Lang (trombone, pictured with John). Our favourite numbers were:
1)
But Not For Me, composed by George Gershwin, with lyrics by Ira Gershwin for their musical Girl Crazy (1930) and introduced in the original production by Ginger Rogers. The link is to a vocal by Julie London.
2) The wonderful song
Lover Come Back To Me, written by Sigmund Romberg with lyrics by Oscar Hammerstein II in 1928 for the Broadway show The New Moon, where the song was introduced by Evelyn Herbert and Robert Halliday (as Robert Misson). The link is to the Brenda Lee hit of 1961 (nostalgia again).
3) Alan Dandy's first solo feature, a Gershwin medley based on
How Long Has This Been Going On sung on this link by Peggy Lee.
4) Alan Dandy's second solo feature, his own boogie-woogie composition 'Down By The River'. No link I am sorry to say.
We persuaded John Barnes not to try and play the clarinet part of Jelly Roll Morton's
Shreveport Stomp again. I asked if he was proving that the best clarinet players of today are still not as good as the greats of the past such as Omer Simeon. John replied that Julian Marc Stringle could probably play it; praise indeed.
Labels: Jazz
Sunday, January 31, 2010
John Maddocks Jazzmen at the St Leonards Hotel
This evening we went to the
St Leonards Hotel, Dorset, to see John Maddocks Jazzmen for only the second time. This traditional jazz band comprises John Maddocks (clarinet, alto sax, tenor sax, vocals), Peter Wilkinson (trumpet, vocals), Tony Farr (trombone), Chris Satterley (keyboard, vocals, pictured), Peter McCurry (string bass, tuba), Dave Broomfield, (banjo, guitar) and Brian Barker (drums). Our favourite numbers were:
1)
The Blue Blood Blues, written by Jelly Roll Morton as featured on this link.
2) John's first feature
Indian Summer, composed by Victor Herbert in 1919 and played on this link by Sidney Bechet; a jazz classic.
3) John's second feature
C Jam Blues, composed in 1942 by Duke Ellington and played here by Johnny Hodges.
4)
The Turn of the Tuxedos, about which we know nothing and can find no links.
This was our first visit to the St Leonards Hotel and we were quite impressed. We have booked for the next John Maddocks gig.
Labels: Jazz
Tuesday, January 26, 2010
John Barnes Quartet at the George & Dragon
This evening we went to the
George & Dragon in Thames Ditton to see the John Barnes quartet, comprising John Barnes (baritone sax, tenor sax, clarinet), Alan Dandy (keyboard), Mick Durell (bass guitar) and Don Cook (drums). Guests were Kim Martine (pictured with John Barnes) and John Lang (trombone). Our favourite numbers were:
1)
Too Close For Comfort, written by Jerry Bock, George David Weiss, and Larry Holofcener in 1956 as part of the score for the Broadway musical Mr. Wonderful starring Sammy Davis, Jr. The link is to a vocal by Peggy Lee.
2) Kim's vocal, at my request, the beautiful
Close Your Eyes, composed by Bernice Petkere. The link is to a version by the Los Angeles Jazz Quartet.
3) Alan Dandy's feature with Mick,
Misty composed by Errol Garner as heard on this link.
4) Alan Dandy's solo feature
Snowy Morning Blues composed by James P Johnson. The link is to the Dutch Swing College, a favourite band of our youth.
For the second week in succession John Barnes tried to play the clarinet part of Jelly Roll Morton's
Shreveport Stomp in a duet with Alan Dandy, who had no trouble with it. John's struggle was defined by his comment "I would rather have a colostomy". I wonder if he meant coloscopy ?
Labels: Jazz
Thursday, January 21, 2010
Magna Jazz Band with Ken Reece
This evening we returned to
Brian White's Magna jazz band's new venue,
The Manor in Old Malden. We started with a large meal of cod, peas and chips, washed down with a bottle of Californian White Wine.
The new band member is Ken Reece, a regular with Max Collie's Rhythm Aces, on cornet (pictured).
Our favourite numbers were as follows:
1.
It's a Sin To Tell a Lie, a 1936 composition by Billy Mayhew, originally introduced by Fats Waller. The link is to the Ink Spots.
2.
I Want a Little Girl, written by Murray Mencher and Billy Moll. This link is to the Louis Armstrong version.
3. Alan Dandy's fine solo feature
Ethiopia Rag, composed by the Joseph Lamb, the link being to the only version we can find, by Jazzou Jones.
Somebody said "I won't ask you to compare Ken Reece with Chez Chesterman". I replied that it was like comparing chalk with cheese.
Labels: Jazz
Tuesday, January 19, 2010
John Barnes Quartet at the George & Dragon
This evening we went to the
George & Dragon in Thames Ditton to see the John Barnes quartet, comprising John Barnes (baritone sax, tenor sax, clarinet), Alan Dandy (keyboard), Mick Durell (bass guitar) and Don Cook (drums). Guests were Geoff Cole and John Lang (trombones, pictured). Our favourite numbers were:
1)
The Way You Look Tonight, from the 1936 Fred Astaire / Ginger Rogers musical film 'Swing Time', composed by Jerome Kern with lyrics by Dorothy Fields. The link is to a vocal by Margaret Whiting.
2)
Sentimental Journey, composed in 1944 by Les Brown and Ben Homer with lyrics by Bud Green. The link is to a version by Julie London.
3) Alan Dandy's solo,
Ethiopia Rag composed by Joseph Lamb. The link is to pianist Jazzou Jones.
I rashly told John Barnes that I only recently discovered that 'I Cover The Waterfront' referred to a reporter, whereas I had assumed it was a prostitute. He immediately went to the microphone and blabbed to the audience, much to Don Cook's amusement. I had my revenge by loudly correcting John when he told the audience that 'The Way You Look Tonight' came from 'Showboat.
Labels: Jazz
Tuesday, January 12, 2010
John Barnes Quartet with Trevor Tomkins
This evening we went to the
George & Dragon in Thames Ditton to see the John Barnes quartet, comprising John Barnes (baritone sax, alto sax, clarinet), Alan Dandy (keyboard, pictured), Mick Durell (bass guitar) and Trevor Tomkins (drums). The one guest was John Lang (trombone). Our favourite numbers were:
1)
Indian Summer, originally written as a piano piece by the prolific composer Victor Herbert. Al Dubin later wrote lyrics. The link is to the famous rendering by Sidney Bechet.
2) Alan Dandy's first feature, with Mick,
Whisper Not, written by Benny Golson. The link is to a vocal by Anita O'Day with a fine piano backing.
3) Alan's second feature, this time with Mick and Trevor,
Bad Penny Blues written by Humphrey Lyttelton and recorded with his band in London on April 20, 1956. The link is to that recording; excellent piano by Johnny Parker.
4) Alan's final solo feature,
Emily. The link is to a recording by the Bill Evans Trio.
Labels: Jazz
Thursday, January 07, 2010
Magna Jazz Band with Jim McIntosh
This evening we returned to
Brian White's Magna jazz band's new venue,
The Manor in Old Malden. We started with a good meal of sausage, egg, beans and chips, washed down with a nice bottle of Chilean Merlot.
Due to bad weather we had a small audience, no Cornet and no drums. Instead we had Gentleman Jim McIntosh, a regular with Max Collie's Rhythm Aces, on banjo (pictured).
Our favourite numbers were as follows:
1.
I Can't Give You Anything But Love, generally considered to have been composed by Jimmy McHugh with lyrics by Dorothy Fields, although some claims have been made that the music was by Fats Waller and the lyrics by Andy Razaf. The link is to a recent version by Diana Krall, showing that there is at least one current singer worthy of the name.
2.
When You and I Were Young Maggie, composed by James Butterfield using a poem by George Washington Johnson (Maggie's husband) for the lyrics. The link is to a 1950s recording by Monty Sunshine with Chris Barber on Bass plus Banjo and drums. Brian White stated that it was originally a waltz, to which I responded "Getaway". Although I can imagine it being played in 3/4 time,
Digital Tradition Mirror shows the original music in 4/4.
3. Alan Dandy's fine medley of Ellingtonia, particularly
Prelude To A Kiss, composed by the Duke, the link being to an Ella Fitzgerald rendering.
4. The incredible ukelele and miniature harmonica feature by Jim McIntosh, comprising:
Jambalaya
Lili Marlene
Bluebirds Over The White Cliffs Of Dover
Oh Suzanna
12th Street Rag.
One woman asked if he ever swallowed it, leading to dirty laughs from some of the other women. I am sure she meant the harmonica !
Labels: Jazz
Tuesday, January 05, 2010
John Barnes Quartet with Trevor Tomkins
This evening we went to the
George & Dragon in Thames Ditton to see the John Barnes quartet, comprising John Barnes (baritone sax, alto sax, clarinet, vocal), Alan Dandy (keyboard), Mick Durell (bass guitar) and Trevor Tomkins (drums, pictured). Guests were Mike Bennett (bass guitar, pictured) and John Lang (trombone). Our favourite numbers were:
1) Alan Dandy's first solo feature;
The Man I Love, music by George Gershwin and lyrics by his brother Ira. It was originally part of the 1927 score for the Gershwin antiwar musical satire Strike Up the Band. The link is to a wonderful rendering by Billie Holiday.
2) A Bossa Nova version of
When You Wish Upon A Star, written by Ned Washington and Leigh Harline and introduced in the 1940 Walt Disney movie Pinocchio, where it is sung by Cliff Edwards (Ukelele Ike) in the character of Jiminy Cricket. The link is to Louis Armstrong singing over a Pinocchio scene.
3) John Barnes singing, first as himself, then in Al Jolson style,
California, Here I Come written by Buddy DeSylva and Joseph Meyer, with Jolson often listed as a co-author. The link is to a Jolson performance.
4) Alan's second solo feature, the beautiful
Skylark, composed by Hoagy Carmichael with lyrics by Johnny Mercer. The link is to a favourite version of ours by John Williams that we have on a SKY recording.
Most of the regulars were missing, presumably due to the weather, but there were many new faces.
Labels: Jazz
Friday, January 01, 2010
2009; a summary
Looking back on 2009; what do I remember best ?
We progressed the Ampair 6kW wind turbine from blade design through to six installations in just twelve months.
Selina and I bought a bungalow in Dorset, from where I am typing this post.
We cut our jazz nights to just two per week; Magna Jazz Band and the John Barnes Quartet.
The recession caused misery for many but the greedy bankers continue to milk the system for all they can get, returning to obscene bonuses and showing no shame.
Members of Parliament were called to account for their expense claims, trivial compared with bankers' bonuses.
None of the political parties emerged from 2009 with much to their credit.
Small businesses continued to suffer at the hands of both government (anti-business legislation) and banks (tight credit).
Pubs closed at an alarming rate as high alcohol taxes and reduced customer spending power took their toll.
Primitive tribal savages in Iraq and Afghanistan continued to cause misery for their own people as well as for our forces.
Wishing all our readers a Happy New Year.
Labels: Dorset, Grumpy, Jazz, Wind power
Tuesday, December 29, 2009
John Barnes Quartet at the George & Dragon
This evening we went to the
George & Dragon in Thames Ditton to see the John Barnes quartet, comprising John Barnes (baritone sax, alto sax, clarinet, vocal), Alan Dandy (keyboard), Mick Durell (bass guitar, pictured) and Don Cook (drums). Our favourite numbers were:
1)
Rose Marie, from the musical or operetta of the same name, music composed by Rudolf Friml and Herbert Stothart, with lyrics by Otto Harbach and Oscar Hammerstein II. The title song became a hit in 1955 for country music singer Slim Whitman, featured on this link. Produced by Lew Chudd, Whitman's recording of the song spent 11 weeks at number 1 in the UK, setting a record which was not beaten until 1991.
2)
Just One More Chance, composed by Arthur Johnston with lyrics by Sam Coslow. The link is to a version by Les Paul and Mary Ford which we have on CD.
3) Alan Dandy's solo, combining two Hoagy Carmichael numbers
Judy and
Lazy Bones. The links are to performances by the composer.
4)
Cute, composed by Neal Hefti. The link is to a version by Lionel Hampton.
Our thanks go to Mick Durell for links to some great jazz and to 'The Educated Gardener' for the plants he gave us as we left.
Labels: Jazz
Tuesday, December 22, 2009
John Barnes Quartet at the George & Dragon
This evening we went to the
George & Dragon in Thames Ditton to see the John Barnes quartet, comprising John Barnes (baritone sax, alto sax, clarinet), Alan Dandy (keyboard), Mick Durelle (bass guitar) and Don Cook (drums). Guest Kim Martine (vocals) is pictured with John and Don in the background. Our favourite numbers were:
1) Alan's keyboard solo feature
Clap Yo Hands, composed by George Gershwin, with lyrics by Ira Gershwin and introduced in the musical Oh, Kay! (1926). It was also featured by Fred Astaire and Kay Thompson in a song and dance routine in Funny Face (1957). The link is to the composer performing at the piano.
2) Kim Martine's first guest vocal
There Will Never Be Another You, written by Harry Warren, with lyrics by Mack Gordon, for the Twentieth Century Fox musical Iceland (1942) starring Sonja Henie. The link is to a version by Julie London, most famous for 'Cry Me A River' as featured in 'The Girl Can't Help It' (nostalgia).
3) Kim Martine's second guest vocal
Blue Moon, written by Richard Rodgers and Lorenz Hart in 1934. The above link is to one of several great versions by Elvis Presley. I also like this very different rendering by
The Marcels. OK, I am indulging in a double dose of nostalgia with this one.
4) Kim Martine's third guest vocal
What a Difference a day Made, written in Spanish by María Méndez Grever (María Grever), a Mexican composer, in 1934. Originally, the song was known as Cuando Vuelva A Tu Lado. It is sung on this link by Barbara Morrison, unknown to me.
5)
You'd Be So Nice To Come Home To, composed by Cole Porter for the 1943 film Something to Shout About, where it was introduced by Janet Blair and Don Ameche. Dinah Shore had a major hit with the song at the time of its introduction and Diane Keaton performed the song in Woody Allen's film Radio Days. It is performed here by guitarist Jim Hall; the un-named saxophonist sounding like Paul Desmond.
I had an embarassing moment when I failed to recognise Mike Bennett with beard and without double bass. His distinctive voice saved me eventually.
Labels: Jazz
Tuesday, December 15, 2009
Terry Ede at the George & Dragon
This evening, as usual for Tuesday, we went to the
George & Dragon in Thames Ditton to see the jazz quartet, comprising Terry Ede (tenor sax, soprano sax, clarinet, flute, vocal), Alan Berry (keyboard), Mick Durelle (bass guitar) and Don Cook (drums). Our favourite numbers were:
1)
This Masquerade, written by Leon Russell and appearing on the B-side of the single for Russell's 1972 hit 'Tight Rope'. It is played in this link by Acker Bilk in non-trad latin mode. We enjoyed dancing to Terry Ede's rendition of this great number.
2)
Jazz 'n Samba (So Danco Samba), composed by Antonio Carlos Jobim and Vinícius de Moraes. The link is to a Charlie Byrd version. The quartet were joined for this number by 'Paul' on congas (pictured).
3)
But Not For Me, composed by George Gershwin, with lyrics by Ira Gershwin, for their musical Girl Crazy (1930) and introduced in the original production by Ginger Rogers. The link is to a version by the Modern Jazz Quartet.
Guests were Paul (congas, pictured) and John Lang (trombone).
Labels: Jazz
Thursday, December 10, 2009
Magna jazz with Goff Dubber, Chez Chesterman & John Howlett
This evening we paid another visit to
Brian White's Magna jazz band's new venue,
The Manor in Old Malden. We intended to spend money on dinner there but there was no food that evening. We brought in a Chinese takeaway from just over the road and requested cutlery from the pub.
The unusual line-up comprised Goff Dubber (clarinet, soprano sax, tenor sax, vocals), Chez Chesterman (cornet, vocals), John Howlett (trombone, vocals), Alan Dandy (keyboard), Richard Lyons (string bass) and Rex Bennett (drums).
Our favourite numbers were as follows:
1. Goff's feature
St Philip's Street Breakdown. I have no idea who wrote it but the link is to an Acker Bilk version.
2.
Tuxedo Junction, co-written by Birmingham, Alabama composer Erskine Hawkins and saxophonist and arranger Bill Johnson. The link is to the famous Glenn Miller version.
3.
Christopher Columbus, co-written by Chu Berry and Andy Razaf and popularized by Fletcher Henderson as in this link.
4. Alan Dandy's fine solo
How Long Has This Been Going On, composed by George Gershwin, with lyrics by Ira Gershwin for the musical Funny Face in 1927. Selina rejected every vocal version I found so the link is to an instrumental rendering by Coleman Hawkins.
There was a special Christmas raffle with more prizes than usual. Selina won (again) so we chose a Bix Beiderbecke CD with a different track listing from the normal selection, of which we have several copies.
Labels: Jazz
Tuesday, December 08, 2009
John Barnes Quartet with Rex Bennett
This evening we went to the
George & Dragon in Thames Ditton to see the John Barnes quartet, comprising John Barnes (baritone sax, alto sax, clarinet, vocal), Alan Dandy (keyboard), Mick Durelle (bass guitar) and Rex Bennett (drums,pictured). Our favourite numbers were:
1)
Deep Purple, written in 1934 by Peter de Rose with lyrics by Mitchell Parish. It is played in this link by the Nikolai Svishev Trio (he is the guitarist).
2)
Out of Nowhere, composed by Johnny Green with lyrics by Edward Heyman. It was first recorded by Bing Crosby in 1931 and became his first number one hit as a solo artist. The link is to a version by Stan Getz.
3) John Barnes' own composition 'Siley Pud', dedicated to a fat cat called Silas.
Guests were Pete Skivington (bass guitar, pictured) followed by John Lang (trombone).
Labels: Jazz
Thursday, December 03, 2009
7up at the Manor
This evening we paid our third visit to
The Manor in Old Malden to see the band 7up. There were only five of them tonight; Robert Goodhew (tenor sax), David Sallis (bass guitar, vocals), Barry Freedman (guitar), Alan Purcell (drums) and Paul Lewis (keyboard).
Their music is hard to categorise; they read everything from arrangements, feature many numbers in Latin style and seem to favour the more recent composers.
Our favourite numbers were the ones to which we danced:
1.
Don't Get Around Much Anymore, written by Duke Ellington with lyrics by Bob Russell. The tune was originally titled 'Never No Lament' and was first recorded by Ellington in 1940 as a big band instrumental. Russell's lyrics and the new title were added in 1942. The link is to a Ben Webster version.
2.
My Little Suede Shoes, written by Charlie Parker, who is playing it on this link.
3.
Blue Bossa, composed by Kenny Dorham but this link is to an Art Farmer version.
Before the music started we tried the Manor food for the first time. Good value at 6 pounds for a main course and a bottle of Rioja for the price of two large glasses.
Labels: Jazz
Tuesday, December 01, 2009
John Barnes Quartet with Alan Berry
This evening we went to the
George & Dragon in Thames Ditton (pictured) to see the John Barnes quartet, comprising John Barnes (baritone sax, alto sax, clarinet), Alan Berry (keyboard), Mick Durelle (bass guitar) and Don Cook (drums). Our favourite numbers were:
1)
Once In A While, written by Michael Edwards with lyrics by Bud Green. The song was published in 1937 and is sung in this link by Sarah Vaughan.
2)
The Best Things In Life Are Free, composed by Ray Henderson with lyrics by Lew Brown and Buddy DeSylva. The link is to a version by Dinah Shore.
3) Alan Berry's first feature
My One And Only Love, written in 1952 by Guy Wood with lyrics by Robert Mellin. The link is to a Sarah Vaughan version again.
Labels: Jazz
Thursday, November 26, 2009
Magna jazz with Jonathen Vinten
This evening we paid our second visit to
Brian White's Magna jazz band's new venue,
The Manor in Old Malden. We took advantage of another good feature; a large area of wooden floor suitable for dancing.
As we arrived we learned of the sad news that Pete Towndrow, the regular Cornet player, had died this morning. He will be much missed as a fine musician and a really nice person.
Alan Dandy was absent on holiday so the excellent Jonathan Vinten (keyboard, pictured) deputised.
Our favourite numbers were as follows:
1.
Making Whoopee, written by Walter Donaldson with lyrics by Gus Kahn. The link is to the video clip of Michelle Pfeiffer's sexually charged rendition on the grand piano top from The Fabulous Baker Boys.
2.
Who's Sorry Now, written in 1923 by Ted Snyder with lyrics by Bert Kalmar and Harry Ruby. The nostalgic link is to the 1958 million-selling Connie Francis version.
3. Jonathan's feature
The Man I love, composed by George Gershwin with lyrics by his brother Ira. It was originally part of the 1927 score for the Gershwin antiwar musical satire Strike Up the Band but was removed from the 1930 version of the show, and, as with many standards of the era, has become more famous as an independent popular song. Popular torch singer Helen Morgan first made the song into a big success but this link is to the great Billie Holiday version.
Labels: Jazz
Tuesday, November 24, 2009
John Barnes Quartet at the G & D with Alan Berry & Kim Martine
This evening we went to the
George & Dragon in Thames Ditton to see the John Barnes quartet, comprising John Barnes (baritone sax, alto sax, clarinet, vocal), Alan Berry (keyboard), Mick Durelle (bass guitar) and Don Cook (drums). Guests were Kim Martine (vocals, pictured with John), Ivor Tyler (drums) and John Lang (trombone). Our favourite numbers were:
1)
S'Wonderful, written by George Gershwin with lyrics by Ira Gershwin. It was introduced in the Broadway musical Funny Face (1927) by Adele Astaire and Allen Kearns and is sung in this link by Diana Krall with a latin backing.
2)
Black and Blue, composed by Fats Waller. The link is to a version by the Kid Ory band.
3) Kim Martine's first guest vocal
September In The Rain, written by Harry Warren with lyrics by Al Dubin in 1937. The song was introduced by James Melton in the film Melody for Two. The link is to Dinah Washington's 1961 hit version.
Labels: Jazz
Tuesday, November 17, 2009
Don Cook Quartet with Terry Ede and Alan Berry
This evening we went to the
George & Dragon in Thames Ditton to see the John Barnes quartet, but John was absent so the musicians were Terry Ede (tenor sax, Soprano sax, clarinet and flute, pictured), Alan Berry (keyboard, pictured), Mick Durelle (string bass) and Don Cook (drums). Jim Trimmer (vocals, pictured) joined the band for two numbers.
The numbers we enjoyed most were:
1)
Recado, about which I know nothing except that the link is to a Hank Mobley recording.
2)
Manhã De Carnaval, AKA 'Morning of the Carnival', 'A Day in the Life of a Fool' and 'Theme from Black Orpheus', by Brazilian composer Luiz Bonfá, as featured on this link.
3)
The Way You Look Tonight, composed by Jerome Kern (one of his best) with lyrics by Dorothy Fields for the musical film 'Swing Time' with Fred Astaire and Ginger Rogers. The link is to a Billie Holiday version.
4) Jim Trimmer's first vocal
Blue and Sentimental, writen by Count Basie , Mack David and Jerry Livingston. The link is to Mel Torme singing it.
5) Jim Trimmer's second vocal
I Only Have Eyes For You, by composer Harry Warren and lyricist Al Dubin, written in 1934 for the film Dames where it was introduced by Dick Powell and Ruby Keeler. Doris Day sings it on this link with a terrible backing.
John Lang (trombone) joined the band at the end, playing 'I've Found a New Baby', 'All Of Me' and 'Ring Dem Bells'.
Labels: Jazz
Thursday, November 12, 2009
Magna Jazz Band at Malden Manor
This evening we paid our first visit to
Brian White's Magna jazz band's new venue,
The Manor in Old Malden. This is very different from the Berrylands, particularly the landlord, Gary, who seems keen on live music and its ability to attract customers. We plan to go again with a different band playing and try the food.
Chez Chesterman replaced Pete Towndrow on Cornet again, the remainder of the band being standard. Chez was, once again, accompanied by the ever-bubbly Carol, who had to sit opposite us because of the revised audience layout.
Our favourite numbers were as follows:
1. Chez's first vocal
I Can't Sleep, written by Montana Taylor, an American boogie-woogie pianist best known for his recordings in the 1940s and regarded as the leading exponent of the barrelhouse piano style. The link is to an unplugged version by Tineke Schoemaker and Han van Dam of Barrelhouse, often announced as best blues band of the Netherlands. Stick with it through all the Dutch chat; you get more blues eventually.
2. Chez's second vocal, my request,
Streamline Train, written by 'Cripple' Clarence Lofton and 'Red' Nelson. The link is to Lofton himself, playing piano and singing. Chez announced that this number was the basis for Humphrey Lyttleton's 'Bad Penny Blues'.
Alan Dandy's fine medley of two numbers:
3.
A Nightingale Sang In Berkeley Square, composed by Manning Sherwin and Jack Strachey with lyrics by Eric Maschwitz, the link being to Marion McPartland.
4.
Black Butterfly, composed by Duke Ellington and played by his orchestra on this link.
Labels: Jazz
Tuesday, November 10, 2009
John Barnes Quartet at the George & Dragon
This evening we went to the
George & Dragon in Thames Ditton to see the John Barnes quartet, comprising John Barnes (baritone sax, alto sax, clarinet, vocal), Alan Dandy (keyboard), Mick Durelle (bass guitar) and Don Cook (drums). Our favourite numbers were:
1)
My Foolish Heart, written by Victor Young with lyrics by Ned Washington. The song was introduced by the singer Martha Mears in the 1949 film of the same name. It is sung in this link by Astrud Gilberto.
2)
Linger a While, composed by Owens and Rose. The link is to a version by Lester Young.
3) Kim Martine's second guest vocal
What a Difference a day Made, written in Spanish by María Méndez Grever (María Grever), a Mexican composer, in 1934. Originally, the song was known as Cuando Vuelva A Tu Lado. It is sung on this link by Dinah Washington.
Guests were Kim Martine (vocals, pictured with John Barnes) followed by John Lang (trombone).
Labels: Jazz
Thursday, November 05, 2009
Magna Jazz Band with Chez Chesterman
This evening, as usual for a Thursday, we went to the
Berrylands Hotel in Surbiton, to see
Brian White's Magna jazz band. Chez Chesterman (pictured) replaced Pete Towndrow on Cornet, the remainder of the band being standard. Chez was, once again, accompanied by the delightful Carol, who again sat next to me.
Our favourite numbers were as follows:
1.
At a Georgia Camp Meeting, written by Kerry Mills in 1899. He also wrote 'Whistling Rufus' and 'Redwing'. The link is to a version by the Dutch Swing College, a band much maligned by Brian.
2. Alan Dandy's fine combination of stride and boogie-woogie,
Alligator Crawl, composed by Fats Waller, who is featured on this link.
4. Chez's great vocal
John Henry, (traditional). John Henry is an American folk hero, famous for having raced against a steam powered hammer and won, only to die in victory with his hammer in his hand. He has been the subject of numerous songs, stories, plays, and novels. The link is to the Woody Guthrie version. This number evoked a wave of nostaliga for the skiffle era
Selina and I having won the raffle between us for the last three jazz nights at the Berrylands, we donated last week's win, the Ma Rainey CD, to Chez. Tonight he was a winner and gave us the prize of a bottle of sparkling rosé.
Labels: Jazz
Tuesday, November 03, 2009
Pete Cook Quartet at the George & Dragon
This evening we went to the
George & Dragon in Thames Ditton to see Pete Cook (alto sax, baritone sax, pictured in background with guest Kim Martine singing), Alan Dandy (keyboard), Mick Durelle (Fender bass guitar) and Don Cook (drums).
The numbers we enjoyed most were:
1)
I Fall In Love Too Easily, composed by Jule Styne with lyrics by Sammy Cahn and introduced by Frank Sinatra in the film Anchors Aweigh as in this link.
2) Alan Dandy's beautiful ragtime solo
Heliotrope Bouquet, composed initially by
Louis Chauvin and completed by Scott Joplin. It is played on this link by Reginald R Robinson.
3) Kim Martine's first vocal
Close Your Eyes, composed in 1933 by
Bernice Petkere and sung superbly on this link by Doris Day. My love for this number dates back to my student days when my flat mate Gerry Evans had the Humphrey Lyttleton 78 of 'Bad Penny Blues' with 'Close Your Eyes' on the other side. I have only recently obtained this pair of tracks together after 45 years with Bad Penny combined with other blues numbers.
The other guests was John Lang (trombone) playing 'Perdido' by Juan Tizol and the standard finale 'Ring Dem Bells'.
Labels: Jazz
Thursday, October 29, 2009
Magna Jazz Band with Chez Chesterman
This evening, as usual for a Thursday, we went to the
Berrylands Hotel in Surbiton, to see
Brian White's Magna jazz band. Chez Chesterman replaced Pete Towndrow on Cornet, the remainder of the band being standard. The picture shows Chez with his new girlfriend, Carol White, surely not the daughter Brian never knew he had ? In addition to her pretty face, Carol is friendly and outgoing. She is a fine testament to the results of internet dating, enjoying the evening immensely and expressing great interest in my note-taking for this weblog.
Our favourite numbers were as follows:
1. Chez's great blues vocal
2:19 Blues AKA Mamie's Blues, listed as 'traditional' but claimed by Jelly Roll Morton. The link is to the version by Mamie Desoume, with an unmistakable Sidney Bechet in the background.
2. Alan Dandy's fine keyboard feature
Relaxin' at the Touro, the theme tune of Muggsy Spanier and His Ragtime Band (as on this link), named for Touro Infirmary, the New Orleans hospital where Muggsy had been treated for a perforated ulcer early in 1938. He had been at the point of death when he was saved by one Dr. Alton Ochsner who drained the fluid and eased Muggsy's weakened breathing.
4. Chez's other vocal
Lonesome Blues, a number about which I know nothing. The link is to a Louis Armstrong version.
Selina and I have won the raffle between us for the last two jazz nights at the Berrylands. The club was packed tonight so we did not expect to win for the third time against so much competition. Surprisingly, I had the first winning number so had the choice of prize. I took the Ma Rainey CD, coveted by Chez.
Labels: Jazz
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